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The setting is a huge plus as the mist-clad mountains add their own eerie touch to the bizarre events unfolding on screen. Both the visuals and the music superbly complement the spareness of the narrative, which never spoon-feeds the audience, but lets us fill in the blanks (we are never shown how Chikku Pandi reconnected with his estranged mother and brothers following the death of his father) or reveals information in bits and pieces (like how it keep building up the psychopath's character to make us anticipate the violence that he might unleash at any moment) to keep us glued. The minimalist score (by Vinoth Thanigasalam) lends an air of mystery to the whole thing, especially in the scenes that happen in the rubber estate. Given that the characters are all rough edges, this approach feel just right. The cinematography is kinetic (when the camera moves along with the characters, we feel as if we are moving along with them) and very raw (the visual tone that Hestin Jose Joseph and Aazeem Mohammad create isn't glossy or shabby chic, but feels like someone had rubbed sandpaper over the film stock). The antagonist is a man so violent that he at once feels terrifying and caricaturish.
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Despite Periya Pandi's simmering rage, the Pandi Brothers come across as bumbling men who have gotten into something that is way out of their league.
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The film unfolds like a thriller with a darkly comic vibe and is filled with colourful characters.
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Lijo Jose Pellissery meets Guy Ritchie in Nishanth Kalidindi's Kadaseela Biriyani, which is full of cinematic vigour and keeps us hooked from start to finish. Will they manage to succeed in this revenge mission, especially with their target's psychopathic son (Hakkim Shahjahan, who plays this role with relish) deciding to show up unannounced? Chikku Pandi, obviously, doesn't want to be part of any of this, but is forced to tag along. The plan is to land up at the big shot's (he is always referred to by his scatological nickname - Perutha P*chu Otta Pee) estate on a day when there are hardly any workers and murder him. Their mother is adamant that her three sons avenge her husband, who she hardly cared for when he was alive! Their target is an influential rubber estate owner (Vishaal Ram) in Kerala, who has murdered their peace-loving father. The eldest one, Periya Pandi (Vasanth Selvam, fantastic), is plotting a murder while his elder one, Ila Pandi (Dinesh Mani), is more interested in the nicknames (the more scatological the better!). But their father (Arul) is a pacifist and moves away from her with their third son Chikku Pandi (Vijay Ram), who grows up hoping his life would be idyllic, like the village where his father has taken him to.Īnd then, the film drops us in the middle of a conversation between Chikku Pandi and his brothers. We learn that their maternal grandfather lived a life of violence and their mother (Stella) took after him.
RESIDENT EVIL 3.5 CAMERA MOVING ON OWN MOVIE
Kadaseela Biriyani Movie Review: In the prologue of Kadaseela Biriyani, a narrator (voiced by Vijay Sethupathi) gives us the brief history of the Pandi brothers. Kadaseela Biriyani Movie Synopsis: Three brothers embark on a mission to kill the man who had murdered their father, but end up crossing paths with their target's psychopathic son.